JOHN DI STEFANO
PUBLICATIONS & PROJECTS [academic]
“Querying and queering Pasolini” [Co-authored with Cathy Lee Crane] (interview), La Furia Umana, No. 43 http://www.lafuriaumana.it/
"Three photographs. Venice, Italy. January 2018." (catalogue text) in Momento Mori: Sandra Binion Ed. Lou Mallozzi, Chicago, IL, USA
'The Presence of Video: Making the Displaced and Disappeared Self Visible' (chapter) in Photography & Ontology: Unsettling Images
Eds. N. Lusty & D. West Brett. Routledge, London, UK
'Bodies at the Vanishing Point: doublethink and Ann Shelton’s Evental Photographic Constructions' [Co-authored with Dr. Dorita Hannah] (chapter)
Dark Matter, Ed. Z. Stanhope. Auckland Art Gallery: Auckland, NZ
'Suspended moments' [Co-authored with Dr. Dorita Hannah] (chapter). Performance and Temporalisation: Time Happen, Basingstoke, UK: Palgrave Macmillan
'Intermission: interstitial moments in creative and cruel practice' [Co-authored with Dr. Dorita Hannah] (peer reviewed essay). Intersticies: Journal of
Architecture & Related Arts, University of Auckland, No. 12. Auckland, NZ
'Tell Me Tell Me' (review) Art Asia Pacific, No. 75. New York, NY, USA
“Erased @ NAS” (review) Art Month Sydney blog. Ed. Carl Lyket. Sydney, AU
“Intermission – a critical response” (essay) One Day Sculpture. Eds. D. Cross & C. Doherty, Kerber Verlag, Germany.
Extended versions also published as: “Javier Téllez’ ‘Intermission’” (essay) One Day Sculpture – Critical Responses. Eds. D. Cross & C. Doherty, Massey University, New Zealand; and “One Day Sculpture. A response to Javier Téllez's Intermission” (essay) in Situations Papers, Situations, University of
West England, Bristol, UK
'Sounding the depths: Marcia Lyons’ Evolutions' (catalogue essay). Emergent Submersives. Bartley + Co Gallery, Wellington, NZ
'You Are Here: Moving Image + Performative Acts + Documentary Paradigm' (chapter). Performance: Design. Eds. D. Hannah & O. Harsløf. Museum
Tusculanum Press—Copenhagen University Press, Copenhagen, DK
'Peter Greenaway and the Failure of Cinema' (chapter). Peter Greenaway’s Postmodern/Poststructuralist Cinema (Second Expanded Edition) Eds. P.
Willoquet & M. Alemany-Galway. Scarecrow Press, Lanham, MD, USA
'Activating Korea' (review). Art Asia Pacific, No. 58. New York, NY, USA
'Slow Rushes' (review). Art Asia Pacific, No. 44. New York, NY, USA
'Mercedes Vicente' (profile). Art Asia Pacific, No. 42. New York, NY, USA
'Satellite:nz' (curatorial statement) in Satellite, Eds. K. Hung et al., Creative Shanghai, Shanghai, China.
'A Match Made in Shanghai' (feature). Art Asia Pacific, No. 42. New York, NY, USA
'Ice and Space' (feature). Art Asia Pacific, No. 41. New York, NY, USA
'Dirty Pixels' (review). Illusions, Vol. No.35. Wellington, New Zealand
'Moving Images of Home' (essay). Art Journal, Vol. 61, No.4. College Art Association, New York, NY, USA
'Peter Greenaway and the Failure of Cinema' (chapter). Peter Greenaway’s Postmodern/Poststructuralist Cinema. Eds. P. Willoquet and M. Alemany-Galway. Scarecrow Press, Lanham, MD, USA
'From Distraction to Disappearance' (catalogue essay). Open Cities. Rymer Gallery, Chicago/ Para/Site, Hong Kong, China
'Transit(ing) Notes - an airport story' (essay). Site Street - electronic journal, No.4. Ed. Kaucyila Brooke. Side Street projects, Los Angeles, CA.
'Travel and Identities of Displacement' (catalogue essay). Not On Any Map. Rymer Gallery / Film Center, Chicago, IL. USA
'Cultures of Empire/Cultures of Resistance: Kidlat Tahimik', (interview). Art & Artist series. Video Data Bank, Chicago, IL, USA
'Picturing Pasolini' (essay). Art Journal, Vol. 56, No. 2. College Art Association, New York, NY, USA
'How Do I Look: Queer Film and Video' (review). Wide Angle, Vol. 14, No.3. University of Ohio, Athens OH, USA.