PUBLICATIONS & PROJECTS [academic]

 

 

2019          

 

'The Presence of Video: Making the Displaced and Disappeared Self Visible' (chapter) in Photography & Ontology: Unsettling Images

                    Eds. N. Lusty & D. West Brett. Routledge, London, UK

 

2016         

 

'Bodies at the Vanishing Point: doublethink and Ann Shelton’s Evental Photographic Constructions' [Co-authored with Dr. Dorita Hannah] (chapter)

                    Dark Matter, Ed. Z. Stanhope. Auckland Art Gallery: Auckland, NZ

2015

'Suspended moments' [Co-authored with Dr. Dorita Hannah] (chapter). Performance and Temporalisation: Time Happen, Basingstoke, UK: Palgrave Macmillan

2011         

'Intermission: interstitial moments in creative and cruel practice[Co-authored with Dr. Dorita Hannah] (peer reviewed essay). Intersticies: Journal of          

                  Architecture & Related Arts, University of Auckland, No. 12. Auckland, NZ

'Tell Me Tell Me' (review) Art Asia Pacific, No. 75. New York, NY, USA

 “Erased @ NAS” (review) Art Month Sydney blog. Ed. Carl Lyket. Sydney, AU 

2009         

 

Intermission – a critical response” (essay)  One Day Sculpture. Eds. D. Cross & C. Doherty, Kerber Verlag, Germany.

                  Extended versions also published as: “Javier Téllez’ ‘Intermission’” (essay) One Day Sculpture – Critical Responses. Eds. D. Cross & C. Doherty, Massey                        University, New Zealand; and “One Day Sculpture. A response to Javier Téllez's Intermission” (essay) in Situations Papers, Situations, University of

                  West England, Bristol, UK

 

'Sounding the depths: Marcia Lyons’ Evolutions' (catalogue essay). Emergent Submersives. Bartley + Co Gallery, Wellington, NZ

 

 

2008         

 

'You Are Here: Moving Image + Performative Acts + Documentary Paradigm' (chapter). Performance: Design.  Eds. D. Hannah & O. Harsløf. Museum

                    Tusculanum Press—Copenhagen University Press, Copenhagen, DK

 

'Peter Greenaway and the Failure of Cinema' (chapter).  Peter Greenaway’s Postmodern/Poststructuralist Cinema (Second Expanded Edition) Eds. P.

                    Willoquet & M. Alemany-Galway. Scarecrow Press, Lanham, MD, USA

'Activating Korea' (review). Art Asia Pacific, No. 58. New York, NY, USA

 

 

2006         

 

'Slow Rushes' (review). Art Asia Pacific, No. 44. New York, NY, USA

 

'Mercedes Vicente' (profile). Art Asia Pacific, No. 42. New York, NY, USA

 

'Satellite:nz' (curatorial statement) in Satellite, Eds. K. Hung et al., Creative Shanghai, Shanghai, China.

 

 

2005         

 

'A Match Made in Shanghai' (feature). Art Asia Pacific, No. 42. New York, NY, USA

2004         

'Ice and Space' (feature). Art Asia Pacific, No. 41. New York, NY, USA

 

 

2003         

 

'Dirty Pixels' (review). Illusions, Vol. No.35. Wellington, New Zealand

2002         

'Moving Images of Home' (essay). Art Journal, Vol. 61, No.4. College Art Association, New York, NY, USA

 

 

2001         

 

'Peter Greenaway and the Failure of Cinema' (chapter). Peter Greenaway’s Postmodern/Poststructuralist Cinema.  Eds. P. Willoquet and M. Alemany-Galway.                              Scarecrow Press, Lanham, MD, USA

 

'From Distraction to Disappearance' (catalogue essay).  Open Cities.  Rymer Gallery, Chicago/ Para/Site, Hong Kong, China

 

 

2000         

 

'Transit(ing) Notes - an airport story' (essay). Site Street - electronic journal, No.4. Ed. Kaucyila Brooke. Side Street projects, Los Angeles, CA.

 

 

1999         

 

'Travel and Identities of Displacement' (catalogue essay). Not On Any Map. Rymer Gallery / Film Center, Chicago, IL. USA

1998         

 

'Cultures of Empire/Cultures of Resistance: Kidlat Tahimik', (interview). Art & Artist series. Video Data Bank, Chicago, IL, USA

 

 

1997         

 

'Picturing Pasolini' (essay). Art Journal, Vol. 56, No. 2. College Art Association, New York, NY, USA

 

 

1993         

 

'How Do I Look: Queer Film and Video' (review). Wide Angle, Vol. 14, No.3. University of Ohio, Athens OH, USA.