PUBLICATIONS & PROJECTS 

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2027

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‘Heterochronicity and the Permeability of the Photographic Surface’ (essay), Vision - Permeability, No.4, Ed. G. Sangster, Vision Art Platform, Istanbul, Turkey

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2024

 

'Casa' (chapter) Here & Now: Queer Italian-Canadian Writing (Vol 2), Ed. L. Canton. Longbridge: Toronto, Canada

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2022

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'Querying and Queering Pasolini' [Co-authored with Cathy Lee Crane] (interview), La Furia Umana, No. 43 [online]

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2020

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'Three Photographs. Venice, Italy. January 2018.' (catalogue text) Momento Mori: Sandra Binion Ed. Lou Mallozzi, Chicago, IL, US

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2019          

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'The Presence of Video: Making the Displaced and Disappeared Self Visible' (chapter) Photography & Ontology: Unsettling Images

                    Eds. N. Lusty & D. West Brett. Routledge, London, UK

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2016         

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'Bodies at the Vanishing Point: doublethink and Ann Shelton’s Evental Photographic Constructions' [Co-authored with Dorita Hannah] (chapter)

                    Dark Matter, Ed. Z. Stanhope. Auckland Art Gallery: Auckland, NZ

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2015

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'Suspended moments' [Co-authored with Dorita Hannah] (chapter). Performance and Temporalisation: Time Happen, Basingstoke, UK: Palgrave Macmillan

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2011         

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 'Intermission: interstitial moments in creative and cruel practice'  [Co-authored with Dorita Hannah] (peer reviewed essay). Intersticies: Journal of          

                  Architecture & Related Arts, University of Auckland, No. 12. Auckland, NZ

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'Tell Me Tell Me' (review) Art Asia Pacific, No. 75. New York, NY, US

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'Erased @ NAS' (review) Art Month Sydney blog. Ed. Carl Lyket. Sydney, AU 

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2009         

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'Intermission – a critical response' (essay)  One Day Sculpture. Eds. D. Cross & C. Doherty, Kerber, Germany.

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                  Extended versions also published as:

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                   'Javier Téllez’’ Intermission' (essay) One Day Sculpture – Critical Responses. Eds. D. Cross & C. Doherty, Massey University, NZ;

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                   'One Day Sculpture. A response to Javier Téllez's Intermission' (essay) in Situations Papers, Situations, University West England, Bristol, UK

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'Sounding the depths: Marcia Lyons’ Evolutions' (catalogue essay). Emergent Submersives. Bartley + Co Gallery, Wellington, NZ

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2008         

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'You Are Here: Moving Image + Performative Acts + Documentary Paradigm' (chapter). Performance: Design.  Eds. D. Hannah & O. Harsløf. Museum

                    Tusculanum Press—Copenhagen University Press, Copenhagen, DK

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'Peter Greenaway and the Failure of Cinema' (chapter). Peter Greenaway’s Postmodern/Poststructuralist Cinema (Second Expanded Edition) Eds. P.

                    Willoquet & M. Alemany-Galway. Scarecrow Press, Lanham, MD, US

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'Activating Korea' (review). Art Asia Pacific, No. 58. New York, NY, US

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2006         

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'Slow Rushes' (review). Art Asia Pacific, No. 44. New York, NY, US

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'Mercedes Vicente' (profile). Art Asia Pacific, No. 42. New York, NY, US

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'Satellite:nz' (curatorial statement) in Satellite, Eds. K. Hung et al., Creative Shanghai, Shanghai, China

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2005         

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'A Match Made in Shanghai' (feature). Art Asia Pacific, No. 42. New York, NY, US

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2004         

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'Ice and Space' (feature). Art Asia Pacific, No. 41. New York, NY, US

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2003         

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'Dirty Pixels' (review). Illusions - Journal of Moving Image & Performance Criticism Vol. No.35. Wellington, New Zealand

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2002         

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'Moving Images of Home' (essay). Art Journal, Vol. 61, No.4. College Art Association, New York, US

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2001         

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'Peter Greenaway and the Failure of Cinema' (chapter). Peter Greenaway’s Postmodern/Poststructuralist Cinema.  Eds. P. Willoquet and M. Alemany-Galway.                              Scarecrow Press, Lanham, MD, US

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'From Distraction to Disappearance' (catalogue essay). Open Cities. Rymer Gallery, Chicago / Para/Site, Hong Kong, China

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2000         

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'Transit(ing) Notes - an airport story' (essay). Site Street - electronic journal, No.4. Ed. Kaucyila Brooke. Side Street projects, Los Angeles, US

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1999         

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'Travel and Identities of Displacement' (catalogue essay). Not On Any Map. Rymer Gallery / Film Center, Chicago, US

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1998         

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'Cultures of Empire/Cultures of Resistance: Kidlat Tahimik', (interview). Art & Artist series. Video Data Bank, Chicago, US

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1997         

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'Picturing Pasolini' (essay). Art Journal, Vol. 56, No. 2. College Art Association, New York, US

 

 

1993         

 

'How Do I Look: Queer Film and Video' (review). Wide Angle, Vol. 14, No.3. University of Ohio, Athens OH, US