JOHN DI STEFANO
BIBLIOGRAPHY [selected]
2027
Janelle Hixon, Contemporary Art and the Politics of Belonging: A Place of Longing in the Moving Image. Routledge, London, UK
2026
Mark William, 𝘊𝘐𝘙𝘊𝘜𝘐𝘛: 𝘋𝘪𝘢𝘭𝘰𝘨𝘶𝘦𝘴 𝘪𝘯 𝘈𝘳𝘵𝘪𝘴𝘵 𝘔𝘰𝘷𝘪𝘯𝘨 𝘐𝘮𝘢𝘨𝘦. Circuit, Wellington, New Zealand
2024
Alessandra Ferraro, 'Pasolini Overseas: His Reception in Canada’, Italian Canadiana, Vol 38, No. 1
2023
Susan Potter, 'Il diverso (the different one)', Framework: Journal of Cinema & Media, US, Vol 64, No. 1
2022
Janelle Hixon, Homeward Longings: Contemporary Moving Image Figurations of Place (PhD Thesis), University of Manchester
2017
Nina Möntmann & Måns Wrange, Magic Bureaucracy. Tensta Konsthall, Stockholm, Sweden
Alba Baeza, ‘Måns Wrange at Tensta Konsthall’. Flash Art, Milan, Italy
Mark Amery, ‘Thick Cinema’. Eye Contact, New Zealand
Janelle Evans, ‘The Symbolic Meaning of the Dot’. Art Guide Australia
Georgina Tarren-Sweeney, ‘A Liminal Journey’. The Thickness of Cinema, Circuit, Wellington, New Zealand
Mercedes Vicente, ‘Thick Cinema’. The Thickness of Cinema, Circuit, Wellington, New Zealand
2016
Alia Di Paolo, ‘John Di Stefano’s Indeterminate Spaces’. Out of this World, Wright Art Projects, Sydney, Australia
Sarah Patricia Hill, ‘Double Exposures: The Photographic Afterlives of Pasolini and Moro’. Modern Italy, Cambridge, UK
Aleksandr A. Wansbrough, ‘Archaeological Journeys: John Di Stefano’s Bandiera Nera’. Alphaville - Journal of Film & Screen Media, UK
Frederico Camera, ‘John Di Stefano’s Bandiera Nera’. Australasia Journal of Popular Culture, Intellect, UK
2015
İnan Suna & İpek Kıraç, This is Not a Love Song. Pera Museum, Istanbul, Turkey
Gary Sangster, ‘Critical Intent’, Tactical Imaginary. SCA Galleries, Sydney, Australia
Gary Sangster, ‘In Theory’, Bandiera Nera. SCA Galleries, Sydney, Australia
2013
F. Javier Panera, This is Not a Love Song. Virreina – Centre de la Imagen, Barcelona, Spain
2012
Elspeth Kydd, ‘Looking for Home in Home Movies’. The Cinema of Me, Wallflower Press, London, UK
2011
Ani Maitra, ‘Hearing Queerly: Musings on the Ethics of Disco/sexuality’. Continuum - Journal of Media & Cultural Studies, UK
Mark Amery, ‘Construction of the Subject’. Eye Contact, New Zealand
Mercedes Vicente, The Elliptical Return. Enjoy Public Art Gallery, Wellington, New Zealand
Georg Elben, Videonale.13 – Contemporary Video Art. Kerber, Bielefeld, Germany
Mario Hibert, ‘Re:versus’. Human Rights Film Festival, Sarajevo, Bosnia-Herzegovina
2010
Martin Patrick, Reconfigured Realities. Project Space – RMIT University, Melbourne, Australia
Hanna Scott, ‘A Rough Guide to a Lonely Planet’. Sightseeing, Rim Publishing / Goethe Institute, Auckland, NZ
2009
Kelly Dennis, Art/Porn: A History of Seeing & Touching. Berg Publisher, Oxford, UK
2008
F. Javier Panera (2008), Rock My Religion, Domus Atrium, Salamanca, Spain
2007
Mark Amery, ‘There’s No Place Like Home’. Massey Research Journal, New Zealand
Yong-Soon Min (2007), Exquisite Crisis & Encounters. Asian/Pacific/American Institute, New York University, US
2006
Thomas Waugh, The Romance of Transgression in Canada. McGill-Queen’s University Press, Kingston, Canada
Lucas Hilderbrand & Kate Horsefiled, Feedback. Temple University Press, Philadelphia, US
2005
William McAloon, ‘The Arrival Lounge’. The Listener, Auckland, New Zealand
Simon Rees, ‘Changing Address’. Visit, Govett-Brewster Art Gallery, New Zealand
2004
Laurence Simmons, ‘Passion for Pasolini’. Illusions - Journal of Moving Image & Performance Criticism, New Zealand
Maeve Connolly, ‘Life in a Departure Lounge’. Transit: 2004 Fringe Festival, Dublin, Ireland
Alice Ming-wai Jim, ‘Screen Structures: Media Art in Hong Kong’. Hong Kong Yearbook 2004. Hong Kong Arts Council
2003
Kate Griffin, Texts & Subtexts. Moving Image Centre, Auckland, New Zealand
2002
Nicolas Mavrikakis, ‘Contre L’Oublie’. Voir, Montréal, Canada
Sascha Hastings, ‘Peerless Pier’. Now, Toronto, Canada
Lyne Crevier, ‘Tenebreuse Affaire’. Ici, Montréal, Canada
Sherry Simon, Deviant Translations. Articule, Montréal, Canada
Will Kwan, Another Version: John Di Stefano’s Redeeming Translations. A Space Gallery, Toronto, Canada
2001
James Meyer, ‘Top Ten of 2001’. ARTFORUM, New York, US
1996
Laura U. Marks, ‘Straight Women, Gay Porn & the Scene of Erotic Looking’. Jump Cut - Review of Contemporary Media, US
Patrick Rumble, Allegories of Contamination. University of Toronto Press, Canada
Chris Straayer, Deviant Eyes - Deviant Bodies. Columbia University Press, New York, US
1995
Cameron Bailey, ‘Videos Eye Economics and Bodily Functions’. Now, Toronto, Canada
Andrew Patterson, Corporeal Economics. Mercer Union, Toronto, Canada
1994
Ernest Larson, ‘Laughing Matters Out of Place’. Exposure - Journal of Society for Photographic Education, Cleveland, US
Christen Torben, Into the Lapse. Royal Danish Academy of Art, Copenhagen, Denmark
1993
Jennie Klein-Davis, ‘Jump-Starting Masculinity’. Afterimage - Journal of Media Arts & Cultural Criticism, Rochester, US
1992
Laura U. Marks, ‘Images and Identities’. Afterimage - Journal of Media Arts & Cultural Criticism, Rochester, US
Katherine & Mick Hubis-Cherrier (1992), New Art Examiner, Chicago, US
Luc Boulanger, ‘Le Corps Politique’. Voir, Montréal, Canada
Huey Lentz, Queer Bodies. Evergreen State College, Olympia, US
1991
Barbara DeGenevieve, No More Heroes. SF Camerawork, San Francisco, US 1990
1990
Angela Murphy, ‘Social Issues in the 90's’. Arts Journal, Toronto, Canada
Emmanuel Cooper (1995 2nd. Ed.), Fully Exposed. Unwin Hyman, London, UK 1989
1989
André Martin, ‘John Di Stefano’. Parachute, Montréal, Canada
Sylvain Campeau, ‘Espaces Révélateurs’. Parachute, Montréal, Canada
1988
Cheryl Simon, Désirs – Idées. Canadian Cultural Center, Rome, Italy
1986
Martine Meilleur, ‘Interface III. Parachute, Montréal, Canada
Carole Brouillette, ‘O’, ‘Le mythe du mystère: à conserver svp’. Interface III: Artist Power, Montréal, Canada
Joanne Lamoureux, ‘L'Objet Livre’. International Artists' Book. Galerie Aubes, Montréal, Canada