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Måns Wrange & Nina Möntmann (2017) Magic Bureaucracy, Tensta Konsthall, Stockholm, Sweden

Janelle Evans (2017), Dot Dot, Dot, SCA Galleries, Sydney, Australia

Alia Di Paolo (2016) 'John Di Stefano's Indeterminate spaces', Out of this World, Wright Artists' Projects, Sydney, Australia

İnan Suna & İpek Kıraç (2015), This is Not a Love Song. Pera Museum, Istanbul, Turkey

Gary Sangster (2015) 'Critical Intent', Tactical Imaginary, SCA Galleries, Sydney, Australia

Gary Sangster (2015) 'In Theory', Bandiera Nera. SCA Galleries, Sydney, Australia.

Robert Sinnerbrink, Gary Sangster, et. al. (2014) The Sceptical Image, SCA Galleries, Sydney, Australia

Javier Panera (2013) This is Not a Love Song, Virreina – Centre de la Imagen, Barcelona, Spain

Jacopo Benci (2013) Fine Arts, BSR Gallery – British School at Rome, Italy

Leontina Rotaru (2013) Spazi Aperti, Romanian Cultural Institute, Rome, Italy

Mercedes Vicente (2011) The Elliptical Return, Enjoy Public Art Gallery, Wellington, New Zealand

Georg Elben ed. (2011) Videonale.13 – Contemporary Video Art. Kerber Verlag, Bielefeld, Germany

Mario Hibert (2011) Re:versus, Human Rights Film Festival, Sarajevo, Bosnia-Herzegovina

Martin Patrick (2010) Reconfigured Realities, Project Space – RMIT University, Melbourne, Australia

Martin Patrick (2010) Double Take/Time Frame: John Di Stefano & Ann Shelton, Engine Room, Wellington, New Zealand

F. Javier Panera (2008) Rock My Religion: Cruce de caminos entre el rock y las artes visuals, Domus Atrium, Salamanca, Spain

Yong-Soon Min (2007) Exquisite Crisis & Encounters, Asian/Pacific/American Institute, New York University, New York, US

Maeve Connolly (2004) 'Life in a Departure Lounge' in Transit: 2004 Fringe Festival - Visual Arts Program, Dublin, Ireland

Kate Griffin (2003) Texts & Subtexts. Moving Image Centre, Auckland, New Zealand

Sherry Simon (2002) Deviant Translations. Articule, Montréal, Canada

Will Kwan (2002) 'Another Version: John Di Stefano’s Redeeming Translations'. A Space Gallery, Toronto, Canada

Andrew Patterson (1995) Corporeal Economics. Mercer Union, Toronto, Canada

Christen Torben, et. al. (1994) Into The Lapse. Royal Danish Academy of Art, Copenhagen, Denmark

MEDIENOPERATIVE (1992) Videofest. Akademie der Kunste zu Berlin, Germany

Huey Lentz, et. al. (1992) Queer Bodies. Evergreen State College, Olympia, US

Barbara DeGenevieve, et. al. (1991) No More Heroes.  SF Camerawork, San Francisco, US

Cheryl Simon (1988) Désirs – Idées. Canadian Cultural Center, Rome, Italy

Joanne Lamoureux (1986) 'L'Objet Livre', International Artists' Book. Galerie Aubes, Montréal, Canada



Susan Potter (2023) 'Il diverso (the different one)', Framework: Journal of Cinema & Media, US, Vol 64, No. 1

Alba Baeza (2017) 'Måns Wrange at Tensta Konsthall', Flash Art, Milan, Italy

Mark Amery (2017) 'Thick Cinema', Eye Contact, New Zealand

Janelle Evans (2017)  'The symbolic meaning of the dot', Art Guide Australia,

Sarah Patricia Hill (2016), 'Double Exposures: The Photographic Afterlives of Pasolini and Moro'. Modern Italy 

Aleksandr A. Wansbrough (2016) 'Archaeological Journeys: John Di Stefano’s Bandiera Nera', Alphaville Journal of Film & Screen Media, No.10

Frederico Camera (2015) 'John Di Stefano’s Bandiera Nera', Australasia Journal of Popular Culture, Intellect, UK, Vol. 4, No. 2

Robyn Ferrell (2015) 'Sceptical In Deed', Eyeline, QUT, Brisbane, Australia, No. 82

Holly Williams (2014) 'Images and Icebergs', RealTime, No. 123, October-November, Sydney, Australia

Gina Fairley (2014) 'Should we be sceptical of the images artists make?', ArtsHub (website), 5 August, 2014, Sydney, Australia

Ani Maitra (2011)  'Hearing Queerly: Musings on the ethics of disco/sexuality', Continuum: Journal of Media & Cultural Studies, Vol. 25, No. 3

Mark Amery (2011) 'Construction of the Subject', Eye Contact, New Zealand

John Hurrell (2011) 'Postcards by ‘Art’ Photographers', Eye Contact, New Zealand

Mark Amery (2007) 'There’s No Place Like Home", Massey Research Journal, New Zealand

William McAloon (2005) 'The Arrival Lounge', The Listener, Auckland. March 12-18

Simon Rees (2005) 'Changing Address', Visit. Govett-Brewster Art Gallery, New Zealand. No.7

Laurence Simmons (2004) 'Passion for Pasolini', Illusions, Wellington. Vol. No. 36

Sascha Hastings (2002) 'Peerless Pier', Now, Toronto. 11 – 17 April

Lyne Crevier (2002) 'Tenebreuse Affaire', Ici, Montréal. 7-13 February

Nicolas Mavrikakis (2002) 'Contre L’Oublie', Voir, Montréal. 14 – 20 February

James Meyer (2001) 'Top Ten of 2001', ARTFORUM, New York. December

Sarah Sharpe (1999) 'Infectious Media Knowledge', Afterimage, US. July/August

Erica Rand (1998) 'Troubling Customs', New Art Examiner, Chicago. June

Harold B. Nelson (1997) The Quarterly, Long Beach Museum of Art, Long Beach, US. Spring

Laura U. Marks (1996) 'Straight Women, Gay Porn & the Scene of Erotic Looking', Jump Cut, US. No.40

Cameron Bailey (1995), 'Videos eye economics and bodily functions'. Now, Toronto, Canada

Ernest Larson (1994) 'Laughing Matters Out of Place', Exposure, US. Vol. 29, No. 2/3

Cynthia Chris (1994) 'More to Come', Afterimage, US. March

Jennie Klein-Davis (1993), 'Jump-Starting Masculinity', Afterimage, US. October

Laura U. Marks (1992) 'Images and Identities', Afterimage, US. September

Katherine & Mick Hubis-Cherrier (1992) New Art Examiner, Chicago. January

Luc Boulanger (1991) 'Le Corps Politique', Voir, Montréal. 1-19 June

Angela Murphy (1990) 'Social Issues in the 90's', Arts Journal, Canada. Vol. 5, No. 8, September - October   

André Martin (1989) 'John Di Stefano', Parachute, Montréal. No.54

Sylvain Campeau (1989) 'Espaces Révélateurs', Parachute, Montréal. No.55

Judith Belanger (1988) 'Culture de bactèries', Voir, Montréal. 7-13 July

Mario deCandia (1988) 'Il piacere dell'occhio', La Repubblica, Rome. 19 March

Martine Meilleur (1986) 'Interface III', Parachute, Montréal. No.44



Mercedes Vicente (2017) 'Thick Cinema', The Thickness of Cinema, M. Williams (ed.), Circuit, Wellington, New Zealand

Georgina Tarren-Sweeney (2017)  'A Liminal Journey', The Thickness of Cinema, M. Williams (ed.), Circuit, Wellington, New Zealand

Elspeth kydd (2012) 'Looking for Home in Home Movies', The Cinema of Me, A. Lebow (ed), London: Wallflower Press

Kristi M. Wilson (2011) 'Hero Trouble', Of Muscles & Men, M.G. Cornelius (ed), Jefferson, NC: McFarland

Maria Izzo (2011) 'This Island’s Mine: l’espropriazione del buon Selvaggi', Percorsi Mitici e Analisi Testuale, A. Laserra (ed), Milan: FrancoAngeli

Hanna Scott (2010), 'A Rough Guide to a Lonely Planet', Sightseeing, Rim Publishing - in association with the Goethe Institute, Auckland, New Zealand

Kelly Dennis (2009) Art/Porn: A History of Seeing & Touching, Berg Publisher, Oxford, UK

Thomas Waugh (2006) The Romance of Transgression in Canada, McGill-Queen’s University Press, Kingston, Canada

Kate Horsefiled & Lucas Hilderbrand (2006) Feedback, Temple University Press, Philadelphia, US

Alice Ming-wai Jim (2004) "Screen Structures: Media Art in Hong Kong." Hong Kong Yearbook 2004. Hong Kong Arts Development Council

Chris Straayer (1996) Deviant Eyes/Deviant Bodies, Columbia University Press, New York, US

Patrick Rumble (1996) Allegories of Contamination, University of Toronto Press, Toronto, Canada

Emmanuel Cooper (1990 / 1995 2nd. Ed.) Fully Exposed, Unwin Hyman, London, UK 

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