JOHN DI STEFANO
BIBLIOGRAPHY [selected]
Catalogues
Måns Wrange & Nina Möntmann (2017) Magic Bureaucracy, Tensta Konsthall, Stockholm, Sweden
Janelle Evans (2017), Dot Dot, Dot, SCA Galleries, Sydney, Australia
Alia Di Paolo (2016) 'John Di Stefano's Indeterminate spaces', Out of this World, Wright Artists' Projects, Sydney, Australia
İnan Suna & İpek Kıraç (2015), This is Not a Love Song. Pera Museum, Istanbul, Turkey
Gary Sangster (2015) 'Critical Intent', Tactical Imaginary, SCA Galleries, Sydney, Australia
Gary Sangster (2015) 'In Theory', Bandiera Nera. SCA Galleries, Sydney, Australia.
Robert Sinnerbrink, Gary Sangster, et. al. (2014) The Sceptical Image, SCA Galleries, Sydney, Australia
Javier Panera (2013) This is Not a Love Song, Virreina – Centre de la Imagen, Barcelona, Spain
Jacopo Benci (2013) Fine Arts, BSR Gallery – British School at Rome, Italy
Leontina Rotaru (2013) Spazi Aperti, Romanian Cultural Institute, Rome, Italy
Mercedes Vicente (2011) The Elliptical Return, Enjoy Public Art Gallery, Wellington, New Zealand
Georg Elben ed. (2011) Videonale.13 – Contemporary Video Art. Kerber Verlag, Bielefeld, Germany
Mario Hibert (2011) Re:versus, Human Rights Film Festival, Sarajevo, Bosnia-Herzegovina
Martin Patrick (2010) Reconfigured Realities, Project Space – RMIT University, Melbourne, Australia
Martin Patrick (2010) Double Take/Time Frame: John Di Stefano & Ann Shelton, Engine Room, Wellington, New Zealand
F. Javier Panera (2008) Rock My Religion: Cruce de caminos entre el rock y las artes visuals, Domus Atrium, Salamanca, Spain
Yong-Soon Min (2007) Exquisite Crisis & Encounters, Asian/Pacific/American Institute, New York University, New York, US
Maeve Connolly (2004) 'Life in a Departure Lounge' in Transit: 2004 Fringe Festival - Visual Arts Program, Dublin, Ireland
Kate Griffin (2003) Texts & Subtexts. Moving Image Centre, Auckland, New Zealand
Sherry Simon (2002) Deviant Translations. Articule, Montréal, Canada
Will Kwan (2002) 'Another Version: John Di Stefano’s Redeeming Translations'. A Space Gallery, Toronto, Canada
Andrew Patterson (1995) Corporeal Economics. Mercer Union, Toronto, Canada
Christen Torben, et. al. (1994) Into The Lapse. Royal Danish Academy of Art, Copenhagen, Denmark
MEDIENOPERATIVE (1992) Videofest. Akademie der Kunste zu Berlin, Germany
Huey Lentz, et. al. (1992) Queer Bodies. Evergreen State College, Olympia, US
Barbara DeGenevieve, et. al. (1991) No More Heroes. SF Camerawork, San Francisco, US
Cheryl Simon (1988) Désirs – Idées. Canadian Cultural Center, Rome, Italy
Joanne Lamoureux (1986) 'L'Objet Livre', International Artists' Book. Galerie Aubes, Montréal, Canada
Periodicals
Susan Potter (2023) 'Il diverso (the different one)', Framework: Journal of Cinema & Media, US, Vol 64, No. 1
Alba Baeza (2017) 'Måns Wrange at Tensta Konsthall', Flash Art, Milan, Italy
Mark Amery (2017) 'Thick Cinema', Eye Contact, New Zealand
Janelle Evans (2017) 'The symbolic meaning of the dot', Art Guide Australia, http://artguide.com.au/art-plus/some-musings-on-dots
Sarah Patricia Hill (2016), 'Double Exposures: The Photographic Afterlives of Pasolini and Moro'. Modern Italy
Aleksandr A. Wansbrough (2016) 'Archaeological Journeys: John Di Stefano’s Bandiera Nera', Alphaville Journal of Film & Screen Media, No.10
Frederico Camera (2015) 'John Di Stefano’s Bandiera Nera', Australasia Journal of Popular Culture, Intellect, UK, Vol. 4, No. 2
Robyn Ferrell (2015) 'Sceptical In Deed', Eyeline, QUT, Brisbane, Australia, No. 82
Holly Williams (2014) 'Images and Icebergs', RealTime, No. 123, October-November, Sydney, Australia
Gina Fairley (2014) 'Should we be sceptical of the images artists make?', ArtsHub (website), 5 August, 2014, Sydney, Australia
Ani Maitra (2011) 'Hearing Queerly: Musings on the ethics of disco/sexuality', Continuum: Journal of Media & Cultural Studies, Vol. 25, No. 3
Mark Amery (2011) 'Construction of the Subject', Eye Contact, New Zealand
John Hurrell (2011) 'Postcards by ‘Art’ Photographers', Eye Contact, New Zealand
Mark Amery (2007) 'There’s No Place Like Home", Massey Research Journal, New Zealand
William McAloon (2005) 'The Arrival Lounge', The Listener, Auckland. March 12-18
Simon Rees (2005) 'Changing Address', Visit. Govett-Brewster Art Gallery, New Zealand. No.7
Laurence Simmons (2004) 'Passion for Pasolini', Illusions, Wellington. Vol. No. 36
Sascha Hastings (2002) 'Peerless Pier', Now, Toronto. 11 – 17 April
Lyne Crevier (2002) 'Tenebreuse Affaire', Ici, Montréal. 7-13 February
Nicolas Mavrikakis (2002) 'Contre L’Oublie', Voir, Montréal. 14 – 20 February
James Meyer (2001) 'Top Ten of 2001', ARTFORUM, New York. December
Sarah Sharpe (1999) 'Infectious Media Knowledge', Afterimage, US. July/August
Erica Rand (1998) 'Troubling Customs', New Art Examiner, Chicago. June
Harold B. Nelson (1997) The Quarterly, Long Beach Museum of Art, Long Beach, US. Spring
Laura U. Marks (1996) 'Straight Women, Gay Porn & the Scene of Erotic Looking', Jump Cut, US. No.40
Cameron Bailey (1995), 'Videos eye economics and bodily functions'. Now, Toronto, Canada
Ernest Larson (1994) 'Laughing Matters Out of Place', Exposure, US. Vol. 29, No. 2/3
Cynthia Chris (1994) 'More to Come', Afterimage, US. March
Jennie Klein-Davis (1993), 'Jump-Starting Masculinity', Afterimage, US. October
Laura U. Marks (1992) 'Images and Identities', Afterimage, US. September
Katherine & Mick Hubis-Cherrier (1992) New Art Examiner, Chicago. January
Luc Boulanger (1991) 'Le Corps Politique', Voir, Montréal. 1-19 June
Angela Murphy (1990) 'Social Issues in the 90's', Arts Journal, Canada. Vol. 5, No. 8, September - October
André Martin (1989) 'John Di Stefano', Parachute, Montréal. No.54
Sylvain Campeau (1989) 'Espaces Révélateurs', Parachute, Montréal. No.55
Judith Belanger (1988) 'Culture de bactèries', Voir, Montréal. 7-13 July
Mario deCandia (1988) 'Il piacere dell'occhio', La Repubblica, Rome. 19 March
Martine Meilleur (1986) 'Interface III', Parachute, Montréal. No.44
Books
Mercedes Vicente (2017) 'Thick Cinema', The Thickness of Cinema, M. Williams (ed.), Circuit, Wellington, New Zealand
Georgina Tarren-Sweeney (2017) 'A Liminal Journey', The Thickness of Cinema, M. Williams (ed.), Circuit, Wellington, New Zealand
Elspeth kydd (2012) 'Looking for Home in Home Movies', The Cinema of Me, A. Lebow (ed), London: Wallflower Press
Kristi M. Wilson (2011) 'Hero Trouble', Of Muscles & Men, M.G. Cornelius (ed), Jefferson, NC: McFarland
Maria Izzo (2011) 'This Island’s Mine: l’espropriazione del buon Selvaggi', Percorsi Mitici e Analisi Testuale, A. Laserra (ed), Milan: FrancoAngeli
Hanna Scott (2010), 'A Rough Guide to a Lonely Planet', Sightseeing, Rim Publishing - in association with the Goethe Institute, Auckland, New Zealand
Kelly Dennis (2009) Art/Porn: A History of Seeing & Touching, Berg Publisher, Oxford, UK
Thomas Waugh (2006) The Romance of Transgression in Canada, McGill-Queen’s University Press, Kingston, Canada
Kate Horsefiled & Lucas Hilderbrand (2006) Feedback, Temple University Press, Philadelphia, US
Alice Ming-wai Jim (2004) "Screen Structures: Media Art in Hong Kong." Hong Kong Yearbook 2004. Hong Kong Arts Development Council
Chris Straayer (1996) Deviant Eyes/Deviant Bodies, Columbia University Press, New York, US
Patrick Rumble (1996) Allegories of Contamination, University of Toronto Press, Toronto, Canada
Emmanuel Cooper (1990 / 1995 2nd. Ed.) Fully Exposed, Unwin Hyman, London, UK